SEMANTICALLY, THE WORDS FOR “HAPPINESS” IN INDO-EUROPEAN LANGUAGES TEND TO VARY BASED ON CULTURAL AND HISTORICAL CONTEXT. THEY CANNOT BE USED INTERCHANGEABLY. THE FRENCH WORD, “BONHEUR”, ONLY APPEARS IN THE 13TH CENTURY AND IS GENERALLY CONSIDERED AN EQUIVALENT OF THE ITALIAN “FELICITÀ”; HOWEVER, FRENCH ALSO HAS THE LITERAL TRANSLATION “FÉLICITÉ”. WHEN, IN NAPLES, THINKERS OF THE ILLUMINISMO DEBATED ABOUT “FELICITÀ”, THEY CONSIDERED IT TO BE A PUBLIC STATE: IT DIDN’T MEAN THE INDIVIDUAL PURSUIT OF PROSPERITY BUT THE PRINCE’S VIRTUE OF “BUON GOVERNO”. IT WAS, IN A WAY, A COLLECTIVE, EARTHLY BLISS. ONE CANNOT YET ACHIEVE SALVATION ALL ALONE. AS WE GO FROM ANTONIO GENOVESE’S NEAPOLITAN SCHOOL TO ADAM SMITH’S SCOTTISH SCHOOL, WE GO FROM PUBLIC FELICITY TO THE FELICITY OF THE PUBLIC. THE RISE OF HAPPINESS AS A “NEW IDEA” ACCOMPANIED THE RISE OF CAPITALIST IDEOLOGY AS THE BASIS OF AN INDIVIDUALISTIC SOCIETY. AS A RESULT, THE COMMON GOOD VANISHED, BECAUSE THERE WAS NO MORE GOOD, BUT ALSO BECAUSE NOTHING WAS COMMON ANYMORE. “BUON GOVERNO” SIMPLY BECAME “GOOD GOVERNANCE”. IN THE MODERN ERA, HAPPINESS IS ALWAYS ASSOCIATED WITH MONEY. AS ECONOMISTS LIKE TO SAY, MONEY IS “MINTED FREEDOM”, IT IS A TOOL TO ACHIEVE ANYTHING POSSIBLE IN AN INTEGRALLY MERCANTILE WORLD. THEREFORE, HAPPINESS MEANS EARNING AS MUCH AS POSSIBLE. IN A MEGACAPITALISTIC WORLD, IN GLOBAL CAPITALISM, THIS IDEA IS DOMINANT; EVERYTHING LOCAL HAVING BEEN DESTROYED, IT IS LITERALLY MADE TRUE. THE GOOD LIFE HAS BECOME NOTHING MORE THAN THE GDP INDEX. BUT THEN, AFTER TWO CENTURIES OF GROWTH AND A COLOSSAL INCREASE IN PRODUCTION, WE SHOULD ALL BE IMMENSELY HAPPY. OBVIOUSLY, IT IS NOT THE CASE.

(FROM “DEGROWTH AND THE PARADOXES OF HAPPINESS” BY SERGE LATOUCHE)

Testo scritto a mano: 'Macchina Continua'.

MACCHINA CONTINUA

DIRECTED BY RUBEN GAGLIARDINI

A LOCAL BIZZARRO PRODUCTION

REALIZZATO CON IL SUPPORTO DI

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DISTRIBUITO DA

Logo della società di distribuzione cinematografica Premiere Film.

BEST BEFORE IS A SHORT DOCUMENTARY ABOUT CIBO, A STREET ARTIST FROM VERONA WHO RESPONDS TO FASCISM AND HATE IN HIS CITY BY COVERING SYMBOLS OF VIOLENCE — SWASTIKAS AND EXTREMIST GRAFFITI — WITH IMAGES OF FOOD. WHEN MORE THAN 70 OF HIS MURALS ARE DEFACED BY HATE MESSAGES IN JUST A FEW WEEKS, SOME OF EUROPE’S MOST ESTABLISHED STREET ARTISTS JOIN FORCES TO RESTORE AND AMPLIFY HIS WORK, MERGING STYLES AND VOICES IN A COLLECTIVE ACT OF RESISTANCE — DOCUMENTED BY MARTHA COOPER, A LIVING LEGEND AND PIONEER OF STREET ART PHOTOGRAPHY.

DIRECTED BY FILIPPO TOMMASOLI AND MATTIA FIUMANI

PRODUCED BY CIBO, SARA MAIRA AND LOCAL BIZZARRO

IN 2023, WE LAUNCHED A MONUMENTAL CLEANING EXPEDITION ACROSS THE 10 HECTARES OF VILLA GIUGGIOLA, IN THE CONERO NATURAL PARK. THIS INITIATIVE BROUGHT AN ENTIRE COMMUNITY TOGETHER, FOSTERING COLLABORATION AND CONNECTION. 

OUT OF THIS EFFORT, CONERO FILM + ADV (CFA) WAS BORN — A FILM FESTIVAL RAN BY A NON-PROFIT ORGANISATION AND MADE UP OF FILMMAKERS AND ARTISTS FROM THE CONERO AREA.

UNITED BY YEARS OF EXPERIENCE IN THE INTERNATIONAL CREATIVE INDUSTRY AND A SHARED VISION, THEY ALL WORKED VERY HARD TO CREATE SOMETHING TRULY UNIQUE FOR THEIR REGION.

Immagine di sfondo bianco con una linea nera continua e alcune linee curve che ricordano un paesaggio.